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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

Jean Grae and M-Phazes 'U & ME & Everyone, We Know'






The introduction, which really builds up expectation for the tune.  M-Phazes repeats a keyboard motif which provides an anchor for the track.  There is plenty of instrumentation throughout, which makes it more tuneful than a lot of hip hop records. 



Popular posts from this blog

About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page
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Objects In Orbit 'Panoramas'

REVIEW :  The New Beatmaker favourite changes his name, hones his craft on potential best album of 2020 Producer, Sound Engineer, Musician and Videographer Objects In Orbit has been a favourite of the site since 2013. Whilst there is not a single bad project in the catalogue of the artist formerly known as Evil Alex, he has evolved and improved almost constantly from one project to the next. He is a master of sonic suspense with many of his projects sounding perfectly at home in an art installation or art-house cinema. His trademark style mixes hip hop born sample-based techniques and 4/4 beat composition along with jazz influenced time signatures and experimentation. He often incorporates eerie, industrial stylings and at times dissonant tones.  Whilst predominantly instrumental, Objects In Orbit finely weaves into layers of musical samples either long stretches of dialogue, which make the listener feel as though they are eavesdropping on private conversation, or snip
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The Theory For Our Revenge 'OBORO'

REVIEW: Japanese multimedia art duo make a great first impression with their mix of industrial, trap and operatic pop The following is a paid for review and post, via humanhuman (see below).  It is always an honour and a pleasure to receive new music to check out and review; especially  when it's as enjoyable a listening experience as this first offering from The Theory For Our Revenge is. The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo. Their debut single ,'OBORO', is a slice of experimental electro-trap / operatic-art-pop. Starting with an industrial sounding chugging and churning, the track moves into frosty, haunting melodies. It's in these opening bars that the only potential hiccup occurs. Around the 0:38 and 1:12 marks there's a jagged synth whistle which i
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