AL PATRON 'Short Cuts'

All types of goodness here courtesy of AL PATRON: The feelgood grove of 'The Distance', the soul filled strut of 'LAX to JFK', and the J Dilla meets Three 6 Mafia epic 'Keep Hustlin'. The sliced and diced RnB of 'Tell Me' is swagged out loveliness. Don't even get me started on the sumptious sounds of 'I do' and 'Love Worth'.
Find out more: http://huhwhatwhere.bandcamp.com/album/short-cuts-2

Credits
Image: http://huhwhatwhere
Music: http://huhwhatwhere.bandcamp.com/album/short-cuts-2

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About The New Beatmaker

Hi! I'm Lee. Welcome to my blog. Here we talk music: news, reviews, interviews, tips, tutorials and more. I'm also working on the upcoming podcast Influenced as a guest, writer and researcher alongside music aficionado Mark Williams and friends. Watch this space!

I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years.

My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound.

My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including:

B-Boy Tech Report
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Drum Magazine

You can find my music on Bandcamp:
Monkey Mind Sounds AKA LeeTNB

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The Theory For Our Revenge 'OBORO'

REVIEW: Japanese multimedia art duo make a great first impression with their mix of industrial, trap and operatic pop

The following is a paid for review and post, via humanhuman (see below).

It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as this first offering from The Theory For Our Revenge is.

The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo.

Their debut single ,'OBORO', is a slice of experimental electro-trap / operatic-art-pop.

Starting with an industrial sounding chugging and churning, the track moves into frosty, haunting melodies.

It's in these opening bars that the only potential hiccup occurs.

Around the 0:38 and 1:12 marks there's a jagged synth whistle which is potentially painful to an earbud wearing listener.

Admittedly I am very sensitive to certain high pitch frequencies.

However, to remedy this I wo…

Georgel ‘Colibrí’

REVIEW: 'Colibrí' highlights Georgel’s potential as a superstar in the making

It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as Georgel’s ‘Colibri’.

A slice of swaggering, sensual, big band pop, ‘Colibri’ is a superb offering from the singer songwriter.
‘Colibrí’ immediately demands listener attention thanks to punchy horn stabs, satisfying drum fills and Georgel’s strong vocals. Listener attention is maintained throughout due to the athletic and theatrical flair of both vocals and instrumentation. These theatrics never descend into ham or kitsch.

The hook is slinky and sensual, adding an extra layer to an already super-enjoyable cut. The memorable arrangement and vocals, together with professional mixing and mastering mean the song would be as much at home in a big-budget Hollywood musical or Broadway show as it would be on your favourite music streaming service.

A slice of swag…

The New Beatmaker

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