Skip to main content

The Best Tracks of 2012

From the thought-provoking hip hop of El-P and Killer Mike, to the glorious garage-meets-pop-meets-RnB of Disclosure,  2012 had plenty of musical highlightsHere are my favourite ten from the past twelve months.  In no particular order - they're all number one in their own way.

El-P featuring Killer Mike and Despot: ‘Tougher, Colder, Killer’ 
Produced by El – P 

First: El – P’s opening is probably the best verse of 2012.  Not only is it incredibly disturbing and thought-provoking, but also incredibly dope.  Second: the following onslaught by El – P, Mike and Despot is electrifying.  Third: the beat is beyond epic.  

What TNBM said at the time: ‘The...distorted drums after the first breakdown, which add a real sense of drama.  Wowzers.’

El – P: ‘$4 Vic/Nothing but You+Me (FTL)’ 
Produced by El – P

El – P sounds at his most vulnerable and most defiant in equal, captivating measure.  Lyrically and musically mesmerizing.  The perfect way to draw the curtain on a classic album. 

Killer Mike: 'Don't Die'
Produced by El – P 

Mixing NWA, Geto Boys and BDP, ‘Don’t Die’ is broke into three separate sections, each more intense and evocative than the last.  A ‘Hundred Miles and Runnin’’ / ‘On the Run’ for the #Occupy generation.  


Disclosure featuring Sam Smith: ‘Latch’ 
Produced by Disclosure

Along with the Lapalux remix of 'Let Me Love You', 'Latch' is the sound of 2012 UK.  A gorgeous mix of smooth and glossy garage, RnB and – dare I say it? – pop.  An instant classic.   

What TNBM said at the time: ‘Big, shiny and sexy.  'Latch' is a perfect combination of pop, RnB and garage.  A great example of a track sounding so much bigger because everything has its own place in the mix.  The double tracked vocals with lots of reverb is a Disclosure speciality and, as icing on the cake, Sam magically transforms into K Ci Hailey at the 2:10 mark.  Love it.’  

Ackryte: ‘Nebula’ 
Produced by Ackryte

Ackryte dropped plenty of heaters in 2012 but this is my undisputed favourite.

What TNBM said at the time: ‘Wow.  There is so much going on in 'Nebula' I hardly know where to begin. Listen to how he complements the collage of mid range sounds with a simple 'up and down the stairs' bassline in the hook.  And how the drums are frenetic, but not overpowering.’ 


Mecca:83 Remix: Booda French X Von Pea ‘Full Time’ 
Remixed by Mecca:83 

The original was good.  The remix took it to new heights. Booda and Von spitting everyman struggles over an out of this world sample and drums which KNOCK.  One of my favourite hip hop remixes of all time.

Jean Grae ‘U  & ME & Everyone, We Know’ 
Produced by M-Phazes

Beautifully put together ‘grown-up hip hop’.  Jean drops a tonne of rewind-worthy lyrics as usual: ‘...’Cause Imma alpha, bet it’s hard to b(e) with me...’.  A full collaborative album, perhaps?

What TNBM said at the time:
‘M-Phazes repeats a keyboard motif which provides an anchor for the track.  There is plenty of instrumentation throughout, which makes it more tuneful than a lot of hip hop records.’

Upright: ‘V A S T’ 
Produced by Upright

The drums knock and Upright’s swing is ridiculous, but it’s that haunting melody which gets me every time.  That, and his signature move is used to fantastic effect.  The best use of a child’s giggle since ‘Are you That Somebody?’   

Lapalux Remix: Mario ‘Let me Love You’ 
Remixed by Lapalux

Along with ‘Latch’, this reworking is the sound of UK 2012.  Lapalux stretches and pulls the original - a favourite of mine - into places I never imagined it could go.   A bittersweet rush from beginning to end.  Produced and mixed to perfection.       

Kendrick Lamar featuring Gunplay: ‘Cartoons and Cereal’ 
Produced by THC

Flow. Emotion. Commentary. Big-ass 808’s. 

What TNBM said at the time: ‘In six minutes, Kendrick, Gunplay and production duo THC evoke a mixture of 90's Ice Cube, Tupac at his most anguished, early Outkast and some sort of drugged out 'Fear of a Black Planet'.  The 808 booms even on crappy laptop speakers.  Haunting is an understatement.’



Popular posts from this blog

About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

The Theory For Our Revenge 'OBORO'

REVIEW: Japanese multimedia art duo make a great first impression with their mix of industrial, trap and operatic pop The following is a paid for review and post, via humanhuman (see below).  It is always an honour and a pleasure to receive new music to check out and review; especially  when it's as enjoyable a listening experience as this first offering from The Theory For Our Revenge is. The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo. Their debut single ,'OBORO', is a slice of experimental electro-trap / operatic-art-pop. Starting with an industrial sounding chugging and churning, the track moves into frosty, haunting melodies. It's in these opening bars that the only potential hiccup occurs. Around the 0:38 and 1:12 marks there's a jagged synth whistle which i

Forthcoming 'Influenced' Podcast

NEWS:  I'm contributing to a new podcast exploring creative connections between legendary and emerging artists Good news alert! I’ve got the great honour and pleasure to be working on a forthcoming music podcast. The podcast, called ‘Influenced’, will trace the path of new artists back to those which came before and reflect on how previous generations of music influenced those which followed their lead, be it directly or indirectly.  Playlists on Spotify and Apple Music will take the listener through our musical time travel in a mixtape fashion. ‘Influenced’ is the brainchild of a great friend of mine, Mark Williams. Mark is even more of a music enthusiast than me and his personality, charisma, enthusiasm and love for music is apparent to anyone who knows him, I’m sure. Follow Mark Williams of ‘Influenced’ on Instagram here: Follow Mark Williams of ‘Influenced’ on Facebook here: