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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

Lanzo 'Suspension of Conciousness'

REVIEW: A very satisfying debut EP by a skilled beatmaker who knows his own strengths

TNBM favourite Lanzo kicks off his first EP in fine form with 'Snack Bags'.  As noted elsewhere, I like the tension of the intro and outro, the perfectly placed vocal snatches, the simple but hypnotic bass notes and I think that the lightly plucked strings are a lovely little detail.   This is an instantly likeable track.

The mood for the rest of the EP is really set on ‘PEA SOUP GARDEN’The melodic keys are offset by disturbing cartoon dialogue.  Reminiscent of 'MM...FOOD', this is a great example of Lanzo making beats with lots going on, but minus clutter. This smells like a winner to me.    
 

The smooth-yet-sleazy synths on 'TUMs' had me hitting repeat. It's very easy to get lost in this chilled-out track.  Here, the Chicago beatmaker pulls off another difficult balancing act: whilst some beatmakers try too many ideas at once, or get stuck on one good idea,  Lanzo’s sense of composition and movement finds a satisfying compromise between the two extremes. 

‘P.West ORCH’ is a black and white musical score chopped into easily digestible pieces, pushed along with a nice diddy-bop of a beat.  There's maybe less going on here than the previous tracks, but it's more accessible and equally as dope.

‘Every Life Comes with a Death Sentence’ warns a disembodied voice on
'MYTERMS’ in contrast to the cheery sentiment of the words heard on 'TUMs'. This is a bit of a bad trip on wax.  

Balancing the darkness of 'MYTERMS', ‘Relax and Max’ has some more nice, airy keys and on beat / off beat drums providing a welcome little bit of push-and-pull. 

‘VooDoo Potion #10’ Has some great Blaxploitation and kung fu samples, but it's the fantastically placed choir vocals which makes this track beg for a replay due to how they’re rationed out.  This beatmaker knows not to ruin the moment of brilliance by running it into the ground. That snare is mean, too. 
‘VooDoo Potion #10’is  great way to end the EP.

'Balance' is the keyword of this EP: 'Suspension of Consciousness' can be both meditative and unnerving, detailed but not overcooked, but whatever the mood, it's a success.

Lanzo should be proud of himself. 



Image: soundcloud.com/lanzobeats

Popular posts from this blog

About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

Learn How to Play D'Angelo's 'How Does it Feel': Piano Couture

Barely a week goes by without me playing 'Voodoo' at some point and with it, a desire to learn how to play 'How Does it Feel'.   This tutorial video by youtube user pianocouture is one of the best 'how to play' videos I have seen for the classic track.   I think that instructional videos like this are good for two main reasons.  Reason one: obviously, a learner player will gain confidence and enjoyment from learning a favourite song of theirs.   Reason two: Even if a beatmaker has no desire to learn to play the keyboard, but wants to create a loop or a riff (a feeling) similar to 'How Does it Feel', what better way to, than playing the song itself (or similar sounds), sampling it and chopping it up? Either way, this is a great tutorial video.  I've subscribed to Piano Couture's youtube page and, if you are looking to get your key game up, I suggest you do too ;) Related Posts: ?uestlove talks new D'Angelo, J Dilla Video: youtube.com/user/pian

Objects In Orbit 'Panoramas'

REVIEW :  The New Beatmaker favourite changes his name, hones his craft on potential best album of 2020 Producer, Sound Engineer, Musician and Videographer Objects In Orbit has been a favourite of the site since 2013. Whilst there is not a single bad project in the catalogue of the artist formerly known as Evil Alex, he has evolved and improved almost constantly from one project to the next. He is a master of sonic suspense with many of his projects sounding perfectly at home in an art installation or art-house cinema. His trademark style mixes hip hop born sample-based techniques and 4/4 beat composition along with jazz influenced time signatures and experimentation. He often incorporates eerie, industrial stylings and at times dissonant tones.  Whilst predominantly instrumental, Objects In Orbit finely weaves into layers of musical samples either long stretches of dialogue, which make the listener feel as though they are eavesdropping on private conversation, or snip