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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

Quincy Jones and Patrice Rushen talk the Fender Rhodes



'When you want warmth and mellowness...Fender Rhodes...' -  Quincy Jones

Shout out to bboytechreport and the good folks responsible for 'Down the Rhodes: The Fender Rhodes Story'.

'Down the Rhodes: The Fender Rhodes Story' is a documentary which brings together all-time legends including Quincy Jones, D'angelo, James Poyser, Patrice Rushen, Dave Grusin, Chick Corea and many more, to celebrate one of the most loved instruments of all time, the Fender Rhodes electric piano.

The Rhodes has been used in a variety of musics and settings, from the world of rock (The Doors), to jazz and - arguably most prevalently in the late nineties up to the current day at least - neo-soul.

For ten weeks, bboytech is bringing clips from the documentary.  Above are snippets of two of the piano's most well known and loved proponents: the incomparable Mr Quincy Jones and the legendary Patrice Rushen.

Every one of these clips is essential viewing, but there's an extra special place in my heart for the ending of the clip with Rushen; the joy she feels when playing the piano is totally obvious and infectious.            

'Down the Rhodes: The Fender Rhodes Story' looks set to be essential viewing for anyone with even the smallest interest in keys, piano and soulful music of any shade.  Check out more clips here and order / download the documentary (note: in differing formats and packages) here.

bboytechreport
'Down the Rhodes: The Fender Rhodes Story'
  

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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

Learn How to Play D'Angelo's 'How Does it Feel': Piano Couture

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Objects In Orbit 'Panoramas'

REVIEW :  The New Beatmaker favourite changes his name, hones his craft on potential best album of 2020 Producer, Sound Engineer, Musician and Videographer Objects In Orbit has been a favourite of the site since 2013. Whilst there is not a single bad project in the catalogue of the artist formerly known as Evil Alex, he has evolved and improved almost constantly from one project to the next. He is a master of sonic suspense with many of his projects sounding perfectly at home in an art installation or art-house cinema. His trademark style mixes hip hop born sample-based techniques and 4/4 beat composition along with jazz influenced time signatures and experimentation. He often incorporates eerie, industrial stylings and at times dissonant tones.  Whilst predominantly instrumental, Objects In Orbit finely weaves into layers of musical samples either long stretches of dialogue, which make the listener feel as though they are eavesdropping on private conversation, or snip