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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

M-Phazes AKA Camden Arc 'I Don't Wanna Fall In Love'

REVIEW: The New Beatmaker favourite M-Phazes excels yet again on this fantastic reworking of Jane Child's 1990 classic

 The M-Phazes catalogue includes work with Eminem, Jean Grae and Sean Price.  'I Don't Wanna Fall In Love' is the debut release from M-Phazes' new side project Camden Arc. 

Camden Arc sees the producer experiment with new techniques and draw on inspiration from RnB titans including Jam & Lewis, Teddy Riley, DeVante Swing and Timbaland.  As one would expect given the influences, 'I Don't Wanna Fall In Love' successfully mixes the minimal with the epic and has a perfect balance of 'thump' and gloss.  Delicious.   



Follow M-Phazes on Soundcloud for more and beatmakers, be sure to cop M-Phazes 'The Vault' and 'Dirty 30' drum kits.

Popular posts from this blog

About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page
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Learn How to Play D'Angelo's 'How Does it Feel': Piano Couture

Barely a week goes by without me playing 'Voodoo' at some point and with it, a desire to learn how to play 'How Does it Feel'.   This tutorial video by youtube user pianocouture is one of the best 'how to play' videos I have seen for the classic track.   I think that instructional videos like this are good for two main reasons.  Reason one: obviously, a learner player will gain confidence and enjoyment from learning a favourite song of theirs.   Reason two: Even if a beatmaker has no desire to learn to play the keyboard, but wants to create a loop or a riff (a feeling) similar to 'How Does it Feel', what better way to, than playing the song itself (or similar sounds), sampling it and chopping it up? Either way, this is a great tutorial video.  I've subscribed to Piano Couture's youtube page and, if you are looking to get your key game up, I suggest you do too ;) Related Posts: ?uestlove talks new D'Angelo, J Dilla Video: youtube.com/user/pian
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Objects In Orbit 'Panoramas'

REVIEW :  The New Beatmaker favourite changes his name, hones his craft on potential best album of 2020 Producer, Sound Engineer, Musician and Videographer Objects In Orbit has been a favourite of the site since 2013. Whilst there is not a single bad project in the catalogue of the artist formerly known as Evil Alex, he has evolved and improved almost constantly from one project to the next. He is a master of sonic suspense with many of his projects sounding perfectly at home in an art installation or art-house cinema. His trademark style mixes hip hop born sample-based techniques and 4/4 beat composition along with jazz influenced time signatures and experimentation. He often incorporates eerie, industrial stylings and at times dissonant tones.  Whilst predominantly instrumental, Objects In Orbit finely weaves into layers of musical samples either long stretches of dialogue, which make the listener feel as though they are eavesdropping on private conversation, or snip
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