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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

T-Funk 'Nebula'

REVIEW: Check out my guest post on T-Funk's tasteful blend of 90's RnB, hip hop knock and ambient synths on B-Boy Tech Report

Regular readers will know that I am partial both to the sounds of T-Funk and the website bboytechreport.com.  It should be no surprise then that I recently wrote about the former for the latter.

Check out my Bboytechreport guest post on T-Funk's 'Nebula' project here.

Not to give too much away, T-Funk's latest EP 'Nebula' is one of my favourite projects of the year so far.  It dropped right at the turn of the year and I have had it in constant and heavy rotation ever since it's release.



I find his tasteful blending of 90's RnB influences with hip hop knock and ambient style synths to be a highly rewarding and addictive mix.

Sidenote: Somehow I effed up and didn't post this at the time.  Paisley and T-Funk released the soulful 'D&N' in February to mark the birthdays and passings of J Dilla and Nujabes.  



Sidenote: T-Funk's 'Groove With You' (Feat. DistantStarr) is featured on The New Beatmaker's 'Soundcloud Sessions One' which can be heard in full here.

Follow T-Funk on Soundcloud
For all T-Funk Posts, click here.
For all bboytechreport guest posts, click here.

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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast  Influenced  as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space! I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years. My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound. My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including: B-Boy Tech Report Gimme That Beat Humanhuman Audio Skills Dream House Beats Where Did the Road Go Beat Tape Co-Op Push Power Promo Drum Magazine You can find my music on Bandcamp: Monkey Mind Sounds AKA LeeTNB And you can find me on Facebook: The New Beatmaker page Lee's personal page

The Theory For Our Revenge 'OBORO'

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Objects In Orbit 'Panoramas'

REVIEW :  The New Beatmaker favourite changes his name, hones his craft on potential best album of 2020 Producer, Sound Engineer, Musician and Videographer Objects In Orbit has been a favourite of the site since 2013. Whilst there is not a single bad project in the catalogue of the artist formerly known as Evil Alex, he has evolved and improved almost constantly from one project to the next. He is a master of sonic suspense with many of his projects sounding perfectly at home in an art installation or art-house cinema. His trademark style mixes hip hop born sample-based techniques and 4/4 beat composition along with jazz influenced time signatures and experimentation. He often incorporates eerie, industrial stylings and at times dissonant tones.  Whilst predominantly instrumental, Objects In Orbit finely weaves into layers of musical samples either long stretches of dialogue, which make the listener feel as though they are eavesdropping on private conversation, or snip