Skip to main content

Live at Berklee 5

NEWS: Live, intimate performances from Down In The Attic, Ludovica Burtone String Quartet and A.R. Rahman, Berklee Indian Ensemble and World Strings

 The New Beatmaker is very proud to present the latest in a regular series of videos capturing live performances from students and alumni of the world's largest independent college of contemporary music: Berklee College of Music.

Firstly, legendary composer, singer-songwriter and music producer A. R. Rahman returns to Berklee with a breathtaking performance of 'Yeh Jo Des Hai Tera' from the Bollywood classic 'Swades', with the wonderful Berklee Indian Ensemble and Berklee World Strings.


Following up we have some great Bluegrass courtesy of Down In The Attic.  Check out their original composition, the rousing, spirited 'Bearapple' below, and be sure to check them out on Facebook too: https://www.facebook.com/downintheattic. 



Last but not least, a gorgeous original composition from the Ludovica Burtone String Quartet, 'Blazing Sun'.  Be sure to check out more from this superb Quartet at http://ludovicaburtone.com.



Many thanks to Berklee College of Music yet again. Be sure to look out for more 'Live at Berklee' in the coming months.

Follow The New Beatmaker on Facebook, Twitter and Soundcloud.  
 
To never miss a post again, subscribe below:

Enter your email address:


Delivered by FeedBurner
  

Popular posts from this blog

The Theory For Our Revenge 'OBORO'

REVIEW: Japanese multimedia art duo make a great first impression with their mix of industrial, trap and operatic pop

The following is a paid for review and post, via humanhuman (see below). 

It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as this first offering from The Theory For Our Revenge is.


The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo.

Their debut single ,'OBORO', is a slice of experimental electro-trap / operatic-art-pop.




Starting with an industrial sounding chugging and churning, the track moves into frosty, haunting melodies.

It's in these opening bars that the only potential hiccup occurs.

Around the 0:38 and 1:12 marks there's a jagged synth whistle which is potentially painful to an earbud wearing listener.

Admittedly I am very sensitive to certain high pitch frequencies.

However, to remedy this I wo…
MORE »

About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast Influenced as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space!

I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years.

My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound.

My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including:

B-Boy Tech Report
Gimme That Beat
Humanhuman
Audio Skills
Dream House Beats
Where Did the Road Go
Beat Tape Co-Op
Push Power Promo
Drum Magazine

You can find my music on Bandcamp:
Monkey Mind Sounds AKA LeeTNB



And you can find me on Facebook:
The New Beatmaker page
Lee's personal page
MORE »

Georgel ‘Colibrí’

REVIEW: 'Colibrí' highlights Georgel’s potential as a superstar in the making

 It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as Georgel’s ‘Colibri’.


 A slice of swaggering, sensual, big band pop, ‘Colibri’ is a superb offering from the singer songwriter. 
‘Colibrí’ immediately demands listener attention thanks to punchy horn stabs, satisfying drum fills and Georgel’s strong vocals.  Listener attention is maintained throughout due to the athletic and theatrical flair of both vocals and instrumentation. These theatrics never descend into ham or kitsch.

The hook is slinky and sensual, adding an extra layer to an already super-enjoyable cut. The memorable arrangement and vocals, together with professional mixing and mastering mean the song would be as much at home in a big-budget Hollywood musical or Broadway show as it would be on your favourite music streaming service.


A slice of swag…
MORE »