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Six Bar Break 'Nashville Calling'

REVIEW: An understated, haunting country rock track with plenty of replay value

This post is in association with Push Power Promo. For more details see the bottom of the post.

The melancholic instrumentation is understated but pleasing throughout; the introductions to both the first and second verses are especially nice.  The guitar melody is very catchy.


There are plenty of evocative and quotable lyrics here and Ben's delivery is heartfelt and memorable. 

I am not 100 per cent taken with the refrain ('all I know, know') although I am not entirely sure why. Also the ending feels a tad abrupt.  I would have loved to hear Ben and band let loose with a big, raucous climax. However, I can appreciate that doing so may have been too far removed from the understated feel of the rest of the track. Even with these slight quibbles I enjoyed Ben's words and performance. 
I'll be sure to revisit this track and follow the band's progress with great interest.
I very much liked the mix. There's a great balance between both the instruments themselves and between the instruments and the vocals. I would be tempted to perhaps have just the absolute tiniest more high end but again, I can totally appreciate that this could spoil the warm, earthy vibe of the track.

'Nashville Calling' brings to mind such legends as Pearl Jam, Tracy Chapman and Live. I very much like the track and I have focused on the few elements that I may - emphasis on may - tweak in the name of 'tough love'. Nothing I say takes away from the good to very good impression I get of the band from this track.

I'll be sure to revisit this track and follow the band's progress with great interest. Guys, you have a new follower in me.

Music: 4/5
Vocals: 4/5
Mix: 4/5
Total:4/5 


I have been paid to review Six Bar Break 'Nashville Calling' by Push Power Promo. 

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About The New Beatmaker

Hi!  I'm Lee.  Welcome to my blog.  Here we talk music: news, reviews, interviews, tips, tutorials and more.  I'm also working on the upcoming podcast Influenced as a guest, writer and researcher alongside music aficionado Mark Williams and friends.  Watch this space!

I have been a lover of music for as long as I can remember, an amateur lyricist for 25 years, a music writer for 15 years and a hobbyist musician and blogger for almost 10 years.

My tastes range from jazz to house to hip hop and I love helping artists from all genres develop their sound.

My music, videos, reviews and interviews have been featured in a variety of magazines and websites, including:

B-Boy Tech Report
Gimme That Beat
Humanhuman
Audio Skills
Dream House Beats
Where Did the Road Go
Beat Tape Co-Op
Push Power Promo
Drum Magazine

You can find my music on Bandcamp:
Monkey Mind Sounds AKA LeeTNB



And you can find me on Facebook:
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Lee's personal page

Georgel ‘Colibrí’

REVIEW: 'Colibrí' highlights Georgel’s potential as a superstar in the making

It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as Georgel’s ‘Colibri’.


A slice of swaggering, sensual, big band pop, ‘Colibri’ is a superb offering from the singer songwriter. 
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The hook is slinky and sensual, adding an extra layer to an already super-enjoyable cut. The memorable arrangement and vocals, together with professional mixing and mastering mean the song would be as much at home in a big-budget Hollywood musical or Broadway show as it would be on your favourite music streaming service.


A slice of swag…

The Theory For Our Revenge 'OBORO'

REVIEW: Japanese multimedia art duo make a great first impression with their mix of industrial, trap and operatic pop

The following is a paid for review and post, via humanhuman (see below). 

It is always an honour and a pleasure to receive new music to check out and review; especially when it's as enjoyable a listening experience as this first offering from The Theory For Our Revenge is.


The Theory For Our Revenge are COLD FAITH and Jhas; a Japanese music production, fashion stylist and visual art duo.

Their debut single ,'OBORO', is a slice of experimental electro-trap / operatic-art-pop.




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It's in these opening bars that the only potential hiccup occurs.

Around the 0:38 and 1:12 marks there's a jagged synth whistle which is potentially painful to an earbud wearing listener.

Admittedly I am very sensitive to certain high pitch frequencies.

However, to remedy this I wo…